CASH SLAVE II
MISS AL SIMPSON
Artist • AI Cinema Director • Founder
OG CRYPTOARTIST
"When I added Miss Al Simpson’s Modern Love to my collection about one year ago I wrote that it "Reminds me of one of Richard Prince's Nurses getting enveloped by a Clyfford Still."
JASON BAILEY, ARTNOME
"Crying dollar signs, as crypto markets rise and fall. Hidden identities, hiding true intentions. Betting their bets on a beautiful racket. Beware the siren call of the Glamour Scammers. Oh, such an alluring deception..."
ABOUT
I build cinema from image, atmosphere and intention.
My work began with ink, collage and physical intervention. That analogue discipline remains at the core of everything I do. Today, I train AI systems on my own material — texture, fracture, composition — so that the machine learns my visual language rather than replacing it.
The result is what I call AI Cinema.
Directed moving image shaped through authorship and restraint. Not automation. Not spectacle. Films built with structure, tone and control.
I am interested in how images feel within space — how light, rhythm and repetition create memory. My work explores synthetic beauty, machine vision and the persistence of the feminine presence within technological systems. It is less about novelty and more about coherence: building visual worlds that hold together.
These films are not confined to galleries. They are designed to live within atmosphere — shaped by music, architecture and energy. Whether presented in an auction house or embedded within a live environment, the principle remains the same:
Direction.
Clarity.
Signature.
The tools evolve.
The discipline does not.
Welcome to
MISS AL SIMPSON
Miss AL Simpson’s "Les Drones de la Banlieue" is a spellbinding AI video artwork that captures a flowing, dreamlike journey through the suburbs and landmarks of Paris, as seen through an otherworldly lens. The piece fuses the tactile textures of her signature Ink Interventions—imagined by AI from Simpson’s gestural mark-making and intricate hand-drawn compositions—with ethereal visuals of tulle-like curtains, suburban shadows, and the sleek, gliding presence of drones.
Intimate moments unfold as women navigate this fluid world in a delicate interplay with their drones: one crouches beside a gargoyle on Notre Dame before soaring into the skies; another walks two drones as mechanical guard dogs through the gritty streets of Paris. Their interactions are layered with both companionship and ambiguity, inviting the viewer to question the drones’ role as protectors, extensions, or silent witnesses.
The artwork’s flowing perspective, shifting seamlessly through iconic Parisian vistas and urban obscurities, suggests a voyeuristic gaze—perhaps that of a drone itself. This perspective casts an unsettling shadow over the piece, blurring the lines between observation and surveillance, intimacy and intrusion.
Accompanied by a haunting French soundtrack, "Les Drones de la Banlieue" delves into themes of human-machine relationships, urban isolation, and the evolving nature of connection. Simpson’s innovative collaboration with AI brings these elements to life in a mesmerizing, multilayered narrative that challenges viewers to reconsider what it means to see, to be seen, and to coexist in a world shaped by technology."
"Today, Simpson — whose digital collages might be described as Dada grunge meets Moulin Rouge glam — has sold the most artworks of any artist on SuperRare."
"Anna Louise Simpson, an artist based in Scotland, was making traditional collage art when one of the main crypto art platforms contacted her to see if she was interested in tokenizing her pieces."
"As a woman and a mother, the financial freedom that cryptoart offers as an artist to not be struggling to make ends meet is incredible and I think a lot of that’s been lost in some of the conversations about NFTs. The financial impact for women and mothers is absolutely huge."
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CHRONO VISIONS
OG CRYPTOARTIST
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CHRONO VISIONS is a series of overpainted AI polaroids by Miss AL Simpson, which delves into the enigmatic nature of memory and its intricate relationship with our perception of time.
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INDIGO TOWN
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The INDIGO TOWN triptych delves into metaphysical quandaries through the illusory nature of indigo. AI post photography meets oil painting, unveiling the enigmatic aura of an urban landscape, provoking contemplation on perception and the fine line between illusion and reality.
QUOTE
"When I added Miss Al Simpson’s Modern Love to my collection about one year ago I wrote that it "Reminds me of one of Richard Prince's Nurses getting enveloped by a Clyfford Still." My feelings haven't changed. There is a long history of male artists anonymizing women through abstraction but Miss Al Simpson's work is refreshing because it does this without objectification. For me, the mysterious women portrayed in works like Modern Love and The Self Isolators have deep and complex inner lives. They are to be thought about, to be reckoned with, and not just ogled as one might with say Willem de Kooning's hypersexualized Women I. As with most artists, I think Miss Al Simpson's strongest work ends with a question mark instead of a period and these two works definitely fit that description for me."
JASON BAILEY, ARTNOME
WHAT BONHAMS THINK...
"In the present work, the collaged 'mixed media' of Miss AL Simpson's digital frame conjures the train carriages and side-streets of Manhattan's Lower East Side. It is this insurgent self-governance of the Crypto Art movement that has always appealed to Simpson – an opportunity to establish new norms in the creation and circulation of the art object. Evoking the brash canvases of Basquiat, Rauschenberg, and Kippenberger, the digital passages of CYBAROQUE BORGHESE engage in a litany of dialogues with Classical and Contemporary motifs. In this digital avant-garde, Miss AL Simpson has become one of the chief protagonists of this new movement, compressing history and styles to produce some of the most dramatic and compelling works to be tokenized to date."